Liron Donovan
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Liron Donovan is a multimedia artist and filmmaker who primarily works with photography, drawing, video/film, and installation. He creates works by focusing on the beauty of the profound solitude, ambition, and fear within the human psyche and environment, alongside his imaginative personal relationship with the rhinoceros.

When trauma became a permanent printer,
We are all miscoded rhinos.
 

Recent Selective Works

Project 01

It’s Not My Fault You Make Terrible Bananas
Charcoals, Digital scanning, and inkjet print on printable Japanese Washi.

Photography,  Printmaking

67 scans of bananas to prove a shocking but sincere fact: it‘s not my fault that you made bad bananas. Even the rhino in the bananas felt angry. Therefore, this work was a necessity.


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Project 02

The Sinking, Moribund Rhino
Inks, adhesives, waters, and charcoal fragments on 4x5 negatives/Enlarged and printed mixed-drawing image/Inkjet prints on Japanese Washi.

Photography, Drawing

By using lens-free enlarging, direct charcoal drawing, and camera-less exposures on 4x5 negative film, combined with two inkjet prints on Japanese papers, manual smudging, and digital compositing techniques, to recreate and express the imagined traces of a rhino drowning in the depths of perception and feeling.


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Project 03

The Mushroom
Charcoals and inkjet printing on printable Japanese Washi.

Photography, Drawing

A mixed-media portrait work of a person named Thor who looks like a mushroom.

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Project 04

The Scorpios: 001
Inks, waters, and chalks on enlarged plain papers/Inkjet prints on Japanese Washi papers/Epson V850/Canon pro1000

Photography,  Mixed-Media

148x210mm/8899x12393pix

Project 04

The Scorpios: 002/003
Inks, waters, and chalks on enlarged plain papers/Inkjet prints on Japanese Washi papers/Epson V850/Canon pro1000

Photography, Mixed-Media

105*148mm/9162*12390pix and  105x148mm/8896*12314pix

Project 05

The History of Rhino’s Zygotes: 001-004
Chalk, water, and make-up fixer on enlarged negative and inkjet printed Japanese WaShis/Epson V850/Canon Pro1000

Photography, Mixed-Media

What are we truly seeing when we gaze upon a rhinoceros? Could I still draw strength and inspiration for my art from it if the rhinoceros were stripped of all its recognizable traits? What is a rhinoceros? For years, I have been profoundly drawn to this powerful, complex, and enigmatic mammal, incorporating it into my artistic practice. Yet, I realized that I had overlooked the immature and infant rhino entirely. Was I truly drawn to the rhino itself or merely to its characteristics and appearance? I chose to trace back to the very source and the earliest point of its life. I sought an answer.

140mm*210mm/Varied  prints


Project 06

The Kneeling Woman and Her Big Face on the Rhino’s Beautiful Skin 
Fixers on 4x5 B&W negative film, Charcoals, and inkjet print on printable Japanese Washi, digital editing.

Photography, Drawing

A woman that I saw in my dream, who reminds me of the rhino.

210mm*297mm



Project 07

The Imprisoned Big Rhino
Charcoals and inkjet printing on printable Japanese Washi paper with a calligraphic frame.

Drawing, Photography

When we look at ourselves in the mirror, are we imprisoned within the reflective surface? As I contemplate the connection between the "rhino" and my personal desires, I am overcome with a sense of speechlessness. The "rhino" is just a concrete animal. Yet it seems to carry the weight of a catastrophic future. I believe this catastrophe is inevitable.


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Project 08

The Photoman
Mannequins, mirrors, printed photos, nouns, glues, sellotapes, daubs.

Installation, Photography, Video, Digital art

With the popularity of smartphones and social media, photography has become a common lifestyle and cultural phenomenon in modern society. Everyone can take and share photos on mobile phones anytime, a phenomenon known as "The Age of Photographic Ubiquity".


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Project 09

The Bisexual Rhinos’ Footprints
Charcoals and inkjet printing on printable Japanese WaShi paper/Epson V850/Canon Pro 1000

Drawing, Photography

The footprints of the rhino and my own fingerprints were supposed to be invisible. And yet, I tried to follow the footprints of the bisexual rhino to find an invisible end. But when I arrived, all I got were the footprints we left.

24x36inch(with frame)





Project 10

Touching the Rhino’s Skin
Charcoal fragments on paper.

Drawing, Photography, Behavioral art

Searching for the rhino is difficult and random, yet the process is a necessity to me. I could already sense the rhino’s presence, so I decided to touch it on the paper. I slowly rubbed many pieces of charcoal between my hands until they nearly disappeared. I felt the rhino more intensely and clearly.
It hides between the charcoal dust and the paper surface.


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Project 11

The Rhino on the Horizon
Inks and Charcoals on a 4x5 inkpress negative, enlarged and printed mixed-media drawing, inkjet print on enlarged printable Japanese Washi.

Photography, Drawing

If I can see the rhino within my terminal and goal, it will become a necessity to visualize this feeling. I tried to integrate the two to show this subtle relationship between them. The cracks of the film are becoming the pointers of that destination. The textures of the paper are becoming the expressions of the process of arriving there.


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Project 12

Several Days of Heavy Rain in Santa Clarita
Enlarged seaweeds on 4x5 negative/Inkjet prints, waters, and nail fragments on Japanese WaShi paper/Epson V850/Canon pro1000

Photography, drawing


When the extremely rare rainy season comes, the fear of accidents becomes inevitable. For instance, we can’t see our own face or anything extra through the glass. Rainwater only makes clothes and roads dirtier and more imperfect. Insects with bad habits gushed out from the depths of the soil in large numbers.

By enlarging the seaweed on the negative film through direct exposure and editing, and then multiple inkjet printings on different papers, as well as manual smudging to describe and recreate the atmospheres and emotions experienced during rare rainy days in Santa Clarita, California.




Project 13

What are We Watching and Discussing When We are Watching and Discussing the Plants?

Seaweed in the enlarger/Negative in the 3D scanner

Photography, Scanning art, Sculpture


Project 14

Thor
Charcoals on paper, digital scans, digital editing, and inkjet print.

Drawing, Scanning Art

A portrait work of a person named Thor, whom I drew. Nevertheless, it has become a self-portrait work after I finished it, and when I edited it.

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Project 15

Wordpaintorys
Pen on paper, digital scans, digital editing, and inkjet print.

Drawing, Scanning Arts,

Through a process of recombination with a degree of randomness, combined with contemporary calligraphic techniques, I have undertaken a secondary creation of several short stories and long poems I composed several years ago.

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Project 16

THEY
Video, Photography

An intriguing and precarious intimate relationship between three people.

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Project 17

Tayane-01/02
Large-format film and infrared photography.

Photography

A series of portrait photographs focusing on women in Tai'an, revealing the genuine fear and unease concealed behind their faces.

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Project 18

The Knight of Rhinos
Video, Digital Art

The inspiration came from when I first began to sense the presence of my rhino. It entered my body and mind gradually yet erratically. It seemed to be fleeing, yet showed no regret for its decision to draw near me.



Project 19

The Rhino’s Toilet Room
Iscan scanning images, digital editing.

Scanning Art, Photography

The rhinoceros is a powerful animal, brimming with passion. Its toilet room is a place of wonder. Impurities are not born, but move through the intestines and are expelled. All thoughts and inspirations move and are expelled between the textures on the walls.

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Project 20

Through the Frames
Photographs of photographs on the camera’s screen.

Photography

Can we see through the screen? If so, can we see the tangible forms behind objects as clearly as if we were looking through a completely transparent pane of glass?

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Project 21

He Died By the Window in the Hallway Next to the Classroom in His High School

Pen on exam papers, handmade simulated heart, coffee grounds of different sizes, police cordons, and other found materials.

Installation, Sculpture, Drawing, Photography, Mixed-Media

A murder scene of a student in a Chinese public high school. Created using many objects and different materials.

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Project 22

Russia
Digital Landscape Photography.

Photography

Suburbs of Russia during the winter.

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Project 23

Me and I
Iscan scanning images, Inkjet print with wooden frame, cotton-linen yarn.

Photography, Scanning Art

A self-portrait collaged photograph.

50cm*50cm





Project 24 (Photobook)

The Wonder Under the Bridge -Zhuozhou, China, 2023

Full book online:
https://freight.cargo.site/m/C2652203488679562013824944388215/Project-7_The-Wonder-Under-the-Bridge_Large-Format-Film-PhotographyPhoto-Album_.pdf



More Works



Selective Short Films (Experimental/Narrative)


1. The Dance of Death (2024)

Written, directed, cinematographed, and edited by Liron Donovan.

A film about intimacy. A story about a transgender dancer who just lost her mother before a show.




2. Fallen Cherries (2023)
Written, directed, produced, cinematographed, and edited by Liron Donovan.

A fantastical, experimental, symbolic film, and the debut of my non-narrative short film. Offline with my own co-curated screenings and participation in many festivals, as well as public screenings.



3. The Calendar (2024)
Written, directed, cinematographed, and edited by Liron Donovan.

A fantasy, narrative, and romantic story about a young boy’s loss.



4. Pin 针 (2024)

Editor, Creative Consultant

An experimental short film.





Updated 24.10.31